Show image caption Anti-racists gather to block route of National Front demonstration, New Cross Road, London, August 1977 © Paul Trevor

Turner Contemporary presents 'Resistance' - an exhibition curated by Steve McQueen

How protest shaped Britain and photography shaped protest

Turner Contemporary is pleased to announce Resistance, an exhibition conceived by acclaimed artist and filmmaker Steve McQueen and curated in collaboration with Clarrie Wallis. Opening on 22 February 2025, the exhibition will explore how acts of resistance have shaped life in the UK and the powerful role of photography in documenting and driving change. A major new publication, released by 4th Estate, will accompany the exhibition.

Renowned for amplifying underrepresented voices, McQueen contributes a compelling exploration of overlooked histories, shedding light on the forgotten stories of individuals whose actions have helped define Britain’s history.

Presenting a century of activism, Resistance will span from the radical suffrage movement in 1903 to the largest-ever protest in Britain’s history—the Anti-Iraq War Protest in 2003. The exhibition will bring together works by renowned photographers such as Vanley Burke, Henry Grant, Fay Godwin, Edith Tudor-Hart, Tish Murtha, Humphrey Spender, Christine Spengler, Andrew Testa, Paul Trevor and Janine Wiedel, alongside less-known photographers who documented these powerful stories. Drawing photographs from various archives, collections and image libraries, Resistance deliberately focuses on moments captured before digital cameras became commonplace.

The exhibition will highlight lesser-known events including the Blind March of 1920—a pivotal moment in the fight for disability rights, and the hunger marches of the 1930s—protesting unemployment and poverty. It will explore the intersections between movements such as the Gay Liberation Front and the Women’s Liberation Movement, where protests against Section 28 of the Local Government Act brought the LGBTQ+ community together. Connecting historic struggles, the exhibition will also examine the fight against fascism in the 1930s and 1940s, including the Battle of Cable Street, while drawing parallels with the Battle of Lewisham in 1977.

Resistance will underscore the ongoing struggle against racism, showing how grassroots movements have consistently confronted oppression throughout history. A pivotal moment was the Black People’s Day of Action on 2 March 1981, following the house fire at 439 New Cross Road that claimed 13 lives. The photographs that captured the protest powerfully depict this landmark for Britain’s Black civil rights movement. Paul Trevor’s series on the Bengali community in the East End will further illustrate how the emerging concept of community photography became a form of activism, amplifying the voices of marginalised groups.

Visitors will encounter poignant images from demonstrations against environmental destruction, anti-nuclear campaigns and actions advocating for peace. The exhibition will trace the evolution of environmental movements, as well as highlight a shift from single-issue demonstrations to broader anti-capitalist efforts, that paved the way for today’s climate change action. From Janine Wiedel’s photographs capturing life at Greenham Common Women’s Peace Camp to Andrew Testa’s striking depictions of the 1996 protests against the proposed A30 Honiton Bypass, Resistance will serve as a testament to the empowering impact of collective action.

Steve McQueen said, “This exhibition and book explores how people have challenged the status quo—a mission that feels especially urgent in today’s political climate.”

The exhibition is the culmination of a four-year research project, guided by exhibition advisors Professor Sundari Anitha, Dr Diane Atkinson, Tony Baldwinson, Justin Bengry, Stella Dadzie, Professor Paul Gilroy, Professor Paul Jackson, Nicholas Jones, Professor Jenny Pickerill, Dr Matthias Reiss, Professor Lisa Tickner and Vron Ware.

Resistance is made possible by the Ampersand Foundation; Clarrie Wallis, Director of Turner Contemporary, was awarded The Ampersand Foundation Award in 2023 to realise Resistance.

Clarrie Wallis said, “The Ampersand Foundation Award provides vital support for curators to realise ambitious exhibitions amid arts funding scarcity. The award enabled Turner Contemporary to mount a groundbreaking exhibition in Margate, Resistance, with artist and filmmaker Steve McQueen. This photography exhibition reframes conventional narratives of British history, prompting viewers to reconsider our shared past.”

Resistance is curated by Steve McQueen and Clarrie Wallis, with Emma Lewis. Political research is by Sarah Harrison. The exhibition is produced by Tessa Pierce, with assistance from Brittany Crombie.

Concurrent with the exhibition, Mona Hatoum’s Hot Spot transforms Turner Contemporary’s Sunley Gallery. This human-scaled steel globe tilts like the Earth itself, its continents traced in red neon. The cage-like structure and fierce glow present our world as a universal danger zone, powerfully evoking global conflicts, border tensions, and the climate emergency.

Resistance will also be a major publication, compiled by Steve McQueen and edited by Clarrie Wallis with Sarah Harrison, to be released by 4th Estate on 13 February 2025. The book presents a rich collection of photographs from the exhibition, ranging from covert surveillance shots to iconic press images, along with firsthand accounts from witnesses of these pivotal historical moments. Expert analysis further examines the relevance of these stories today, featuring contributions from influential voices such as Gary Younge, Steve McQueen, Paul Gilroy, and Baroness Chakrabarti.

Notes to Editors

Exhibition Title: Resistance
Dates: Media View: 20 February 2025
  Exhibition: 22 February 2025 – 1 June 2025
Location: Turner Contemporary, Rendezvous, Margate, UK
Opening Hours: Wednesday Sunday, plus Bank Holidays: 10am – 5pm

For all press enquiries, please contact Rees & Co:

Rosanna Hawkins | rosanna@reesandco.com | +44 (0)7910 092634
Fiona Russell | fiona.russell@reesandco.com | +44 (0)7917 130801

About Steve McQueen

Steve McQueen was born in London in 1969. Surveys of his work have been held at the Art Institute of Chicago and Laurenz Foundation, Schaulager Basel (2012–13); Tate Modern, London (2020); and Pirelli HangarBicocca, Milan (2022). Recent solo presentations include those at the Whitney Museum of American Art, New York (2016); the Art Institute of Chicago (2017); Museum of Modern Art, New York (2017); Pérez Art Museum, Miami (2017); Whitworth Art Gallery, Manchester (2017); Institute of Contemporary Art, Boston (2017–18); Tate Britain, London (2019–21); and Serpentine Gallery, London (2023). McQueen has participated in Documenta X (1997) and XI (2002), as well as the Venice Biennale (2003, 2007, 2013, and 2015), representing the United Kingdom in 2009. He is the recipient of numerous awards, including the Turner Prize (1999); W. E. B. Du Bois Medal, Harvard University (2014); and Johannes Vermeer Award (2016).

McQueen was recently awarded The 2024 Rolf Schock Prize in Visual Arts. He was declared Officer of the Most Excellent Order of the British Empire in 2002, Commander of the Most Excellent Order of the British Empire in 2011, and Knight Commander of the Most Excellent Order of the British Empire in 2020. McQueen directed the feature films Hunger (2008), Shame (2011), 12 Years a Slave (2014), and Widows (2018); as well as the series Small Axe (2020), an anthology of five films shown on the BBC and Amazon; and Uprising (2021), a three-part documentary series for the BBC. His documentary Occupied City (2023) is based on the book Atlas van een bezette stad: Amsterdam 1940-1945 (Atlas of an Occupied City: Amsterdam 1940–1945, 2019) by Bianca Stigter. McQueen’s latest film Blitz was released this November (2024). McQueen won the Caméra d’Or at the Cannes Film Festival for Hunger in 2008 and an Oscar for Best Motion Picture for 12 Years a Slave in 2014.

 

About The Ampersand Foundation

The Ampersand Foundation is a UK grant-awarding charity dedicated exclusively to the visual arts. It funds high-quality exhibitions and visual arts projects, provided they are free to the public at least one day per week. Additionally, the Foundation supports the expansion of public collections, collection care, artists’ residencies, and fellowships, with a primary focus on institutions and projects within the United Kingdom.

Established in 2019, The Ampersand Foundation Award is a biennial award aimed at empowering curators to realise their ideas while celebrating excellence in curatorial practice. The winning project receives £150,000; with £125,000 allocated for the project, and an additional £25,000 to produce a related publication The award is currently open to curators working at organisations that are members of the Plus Tate network.

 

About Turner Contemporary

Turner Contemporary is one of the UK’s leading art galleries, located in Margate, Kent. The gallery presents a dynamic programme of exhibitions, events, and learning opportunities, aiming to connect visitors to the transformative power of art. Founded to celebrate JMW Turner’s connection to Margate in 2001, the David Chipperfield designed gallery opened in 2011. Our work extends beyond showcasing world-class exhibitions to driving the social and economic regeneration of Margate and East Kent and transforming lives in one of the most deprived areas of the UK. Since it opened, Turner Contemporary has welcomed over 4.4 million visits, put over £80 million back into the Kent economy, and connected with thousands of people from the local community.

Resistance is the culmination of a four-year project, made possible by The Ampersand Foundation Award 2023 and generously supported by the Dana and Albert R. Broccoli Charitable Foundation. Curatorial research for the exhibition has been made possible through funding from the Paul Mellon Centre for Studies in British Art. The publication is funded by The Ampersand Foundation Award. Turner Contemporary extends its gratitude to our public funders, Kent County Council and Arts Council England, for their ongoing support.

ENDS