Join us for the exhibition preview of We Will Walk – Art and Resistance in the American South on Thursday 6 February 2020, 6pm – 8pm. Speeches will commence at 6.30pm. The exhibition will be opened by Bonnie Greer OBE.

We Will Walk – Art and Resistance in the American South is the first exhibition of its kind in the UK and reveals a little-known history shaped by the Civil Rights period in the 1950s and 60s.

It will bring together sculptural assemblages, paintings and quilts by more than 20 African American artists from Alabama and surrounding states. The artists represented in the exhibition lived through the Civil Rights struggle and its aftermath, often in conditions of poverty.  This art is characterised by the remaking and reuse of materials through necessity, custom, culture and innovation as well as a vital connection to place and nature. The exhibition also features Civil Rights music and documentary photographs that reveal the links between the art and its context.

Can’t make the preview? The exhibition runs from 7 February 2020 – 3 May 2020.

Some works are in direct dialogue with this era of protest, while others evidence the longstanding impact of segregation and racial terror. Produced from the mid-20th century to the present, many of the artworks will be coming to Europe for the first time. In an era of worldwide protest on the streets, We Will Walk addresses issues of race, class and resistance through a diverse range of works developed outside of the mainstream.

Much of the work in We Will Walk draws on the tradition of the ‘Yard Show’, temporary outdoor environments made from salvaged materials. This includes the root sculptures of Bessie Harvey and Emmer Sewell’s iconic sculpture created outside her home in Marion County. The exhibition will see a series of quilts from the isolated hamlet of Gee’s Bend (known today as Boykin) in Alabama go on display in the UK for the first time. These world-famous quilts have a distinctive style, and are often made from recycling old clothing such as blue jeans. The exhibition also features guitars by Freeman Vines, including one made from the wood of an old hanging tree.  These artists turned impossible circumstances into innovative artworks.

The exhibition is curated by Hannah Collins and Paul Goodwin with Turner Contemporary.

The exhibition was conceived by the artist Hannah Collins, who spent three years researching and developing the show, having encountered the work of these artists and makers in the American South. As lead curator, she is joined by curator Paul Goodwin, Professor of Contemporary Art and Urbanism at University of the Arts London, whose interest is in fugitive art practices and place.

The selected artists and makers include:

Mary Lee Bendolph; Hawkins Bolden; Beverly Buchanan; Sheila Pree Bright; Thornton Dial; William Edmondson; Ralph Griffin; Bessie Harvey; Lonnie Holley; Ronald Lockett; Joe Minter; Nellie Mae Rowe; Emmer Sewell; Mary T Smith; James Son Ford Thomas; Bill Traylor; Freeman Vines; Annie Mae Young; Dinah Young and Purvis Young.

Civil Rights Photographers include:

Bob Adelman; Morton Broffman; Doris Derby; Declan Haun; Matt Herron; James E Hinton; Danny Lyon; Charles Moore; Charmian Reading; Steve Schapiro and Ernest Withers.

Supported by: