Using mixed media that combines experimental filmmaking, sound and text, Peter’s practice investigates ideas around identity, subjectivity, history and sensuality. Through his work, he continuously aims to reframe spaces which have historically included black bodies but have excluded black narratives. Identifying water and public space as recurring motifs specifically within black queer narratives, SWIM explores how intimacy escalates when the private and the public intertwine.

Related exhibitions & events

• Turner Lates: Movements from the Margins